For every great master painter of genres throughout history, like the Abstract Painting Art, you can find hundreds, perhaps thousands, of artists whose work will never see the outside of their home or studio, or the home of their family members. These artists are just like the “American Idol” contestants who insist that they sing well, despite all evidence to the contrary. They make art not because they are any good at it, but because they love doing it.
There exists nothing as contemporary and abstract as bad art. Bad art has occurred throughout history, however with the advent of contemporary art, modern art, and abstract art, which question popular and standard conceptions of beauty, bad art has flourished. The very essence of all modern art is eliminating convention, and this includes what we consider good (or beautiful) art and bad art.
There’s actually a place in the world where these complaints aren’t just observed, but celebrated: The Museum of Bad Art (MOBA), in Dedham, Massachusetts, just outside Boston. (Their second branch is in nearby Somerville.) MOBA has a permanent variety of 500 bits of, his or her motto states, “art too bad to become ignored.” Their stated goal is, his or her founders assert, “to celebrate the labor of artists whose works will be displayed and appreciated in not one other forum.”
MOBA was founded in 1994, after antique dealer Scott Wilson found a painting, “Lucy in the Field with Flowers” (which took over as the museum’s signature piece), inside the trash. He showed it to a few friends, who suggested which he start a selection of similar items of Abstract Painting Ideas On Canvas. At first, the first collection was shown in Wilson’s friends’ home, but it soon became quite popular and enormous that they had to go it to a more permanent place.
MOBA doesn’t just exhibit any bad art, so my attempts at portraiture (which are really just stick figures) wouldn’t ensure it is in to the museum. Works accepted into MOBA must be original and possess serious intent, but they will need to have significant but interesting flaws. The curators of MOBA refuse to show art that’s deliberately kitsch, or harmful to bad’s sake. At any rate, MOBA is the only museum in the world committed to collecting and exhibiting the worst. Its collection is actually a tribute to the sincerity of the artists who preserved their works even if something has gone horribly wrong during this process. In other words, MOBA celebrates an artist’s right to fail, and also to fail gloriously.
The existence of MOBA, some say, is actually a reaction to the advent of Contemporary Abstract Landscape Paintings during the early twentieth century, which made art more esoteric and much less accessible for the general public. To most Americans, museums are intimidating places ruled by experts whose tastes are mysterious and impossible for many people to know. MOBA is within direct vhhhlg to this particular trend. Its curators insist that they’re not parodying art; instead, they’re parodying the art world.
The reaction of most of the museum’s visitors is quite interesting. Some of the exhibits make sure they are laugh out loud, and in some methods, frees them as much as have opinions and discuss whatever they see. Teachers in the Boston area have got their students to MOBA, then to more prestigious museums like Boston’s Museum of Fine Arts. Their MOBA experiences free them from feeling intimidated as well as be more expressive concerning the art there.